LibraryThing Local
For those on the LibraryThing vs. GoodReads fence, Sean at Deeplinking gives some good reasons to lean toward the former. LibraryThing Local sounds particularly intriguing.
For those on the LibraryThing vs. GoodReads fence, Sean at Deeplinking gives some good reasons to lean toward the former. LibraryThing Local sounds particularly intriguing.
I don't mean in terms of market saturation or ad revenue. I mean in terms of spam. I've been a member for just under a month, and suddenly in the last 24 hours I've been invited to befriend at least 5 strangers, almost all of whom are self-published authors.
Caveat emptor.
In today's GoodReads newsletter, I received a list of Goodreads' Most Popular Books of 2007. Says the newsletter, "So why is our list better than any other? Goodreads can tell you what people are reading now, which is very different from what people are buying. "
They don't specify what that means, exactly, but I guess they mean that members of GoodReads are reading or re-reading things that they bought in past years; that they're borrowing from the library; and that (in the case of The Great Gatsby, The Catcher in the Rye, and To Kill a Mockingbird) they've been assigned to read in school. ** Attention, marketers: that trio, plus the Harry Potter volumes below, indicates a large demographic of readers under the age of 22 **
Here's their list:
I have an amendment to my previous post, about the ways in which reading-related social sites are used. I wasn't sure, at the time, if users of these sites could distinguish between different shelves -- for example, if they could designate a shelf for items "to be read". (The single most useful shelf for anyone using social bookmarking tools to "Add this Book" to a social site.)
I've joined all three communities -- Shelfari, LibraryThing and GoodReads. (Click on any of those links to add The Post Pub to your friends list.)
As far as I can tell, GoodReads is the easiest of the three in which to separate out lists and designate items To Be Read.
More on the strengths & weaknesses of each site soon...
Here's a link to an interview in which Rich Brooks of Flyte New Media discusses social networks. This is a good introductory overview of Facebook, LinkedIn and Ning: how they work and how to use them to connect with like-minded people.
HarperCollins and MySpace are co-branding a young adult book on how to save the environment.
This effort is engineered to succeed, for the following reasons:
I really like #3 -- it brings the phenomenon of user-generated media to the old-fashioned, prestigious world of publishing. Who doesn't want to see their name in a book? But one has to wonder if the resulting list will drive the page count to 1,000 (that's a lot of dead trees and plastic fiber, recycled or not).
HarperCollins is a subsidiary of NewsCorp, so this was inevitable, and, partnerships-wise, probably pretty painless. Nevertheless, it's exciting to see someone in publishing doing it right.
On a smaller scale, authors who've acquired a lot of Friends should be using MySpace, Facebook, Goodreads, Shelfari, LibraryThing and other social networking sites in a similar manner: as distribution channels for getting a message out to an audience that's already proven itself receptive. (And, in the case of bookshelf-cataloging sites, motivated to buy vs. borrow.)
As for co-branding books with social sites... in the era of product placement, it's an intriguing direction to take. If users weren't so fickle, it would seem smart for publishing companies to acquire some of these sites. But users are fickle, and publishing companies may not be comfortable owning social sites that allow readers to promote other publishers' titles. So... ay, there's the rub. Still, a trend to watch.
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Here's another video tutorial by commoncraft:
I can't take credit for this video, which is a helpful, visual primer for social bookmarking. It's part of a video podcast series called commoncraft: Explanations in Plain English. For beginners:
commoncraft offers similar, free video tutorials on subjects like wikis and RSS.
When launching a blog focused on discussing how the internet affects the experience of selling, buying and reading books, one can feel a bit overwhelmed by the question, "Where do I start?"
Let's start with a biographical disclaimer: I, the Editor, am a blogging and social media consultant. I work with authors to help them establish a foothold in the ever-changing digital media landscape. In short, I help them construct and brand their blogs, websites, social media profiles, and newsletters.
That's the fun part.
Then I help them find readers, with the hope that readers of free online content will eventually convert to readers of purchased, hard-copy books.
That's a little less fun... only because it's more difficult.
Online marketing with a goal of selling books can be challenging, because the readers are everywhere, and they're on the move. The competition for internet users' attention is more hectic than ever, with over 100 million blogs and many hundreds, if not thousands, of social networking websites in existence. The internet is fracturing off into "nanoaudiences" centered on very specific interests. People go where they find a message that resonates with them, and they're fickle; they may not stay for long before moving onto the next thing.
It's for this reason that I advise authors to devote time to building great blogs instead of chasing after the latest hip social networks -- because a dedicated blog readership may stick around for years, whereas a social networking site may lose its core audience within months. (As an example, as of this writing, all of my friends, ages 24-40, have abandoned ship on MySpace and are becoming active on Facebook. Many of us were active on Friendster before that, and a few of us on Tribe.net.)
Still, blogs take time and savvy to develop. It's rare for a non-corporate blog or website to command a market share the size of a Dooce.com, HuffingtonPost, or TMZ. These days, it's not uncommon for an average website or blog to receive a maximum of 80 to 100 visitors a day.
Using the standard sales conversion rate of 2% -- meaning 2% of your visitors will buy something after visiting your site and reading your message -- that can amount to as few as 2 books sold per day.
Many authors -- some of them frustrated and with very limited time to devote to publicity and marketing -- wonder if it's worth the effort to maintain an active blog or a consistent online presence for a sales rate of 2 books a day. (Indeed, an entrepreneurial sort might be able to sell 2 books a day at a lemonade stand.)
So is it worth it?
Continue reading "Blogs, Social Media, and Authors: Where to Begin?" »
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